Virtual Production Equipment that Empowers Creators

Plan faster with clear tech specs: an LED volume stage and virtual production software designed to hit timelines.

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Two LED stages. Two studios to dream.

From cinematic Unreal Engine to fast 2D, our LED volumes let creators work within scope, with speed, and capture their vision with full control.

Forge is purpose-built for how creators work. Studio A delivers premium Unreal workflows and a tight 1.9mm LED volume for cinematic control. Studio B moves fast with an intuitive LED volume stage and virtual production software for quick turnarounds.
A large virtual production stage with LED ceiling and LED wild wall

Studio A

Our flagship LED volume is an 82' x 16' J-shaped wall with an edge-to-edge ceiling and 1.9mm pixel pitch, tight enough to move cameras closer (2.5 – 6m) without breaking the illusion. The curve, ceiling, and wild wall enable wide staging, natural reflections, and tracking moves. Unreal Engine + RedSpy tracking, plus motorized, pre-rigged lighting, make Studio A and among the most cutting-edge in the Midwest.

  • 82' x 16' LED wall + ceiling pod
  • 1.9mm pixel pitch panels
  • 10' x 10' LED wild wall
  • Full Unreal Engine capability

See Studio Services
A Virtual Production stage with RED cinema camera and touch screen control tablet

Studio B

Built for speed and simplicity, Studio B features a 25' x 13' LED volume at 2.6mm with Vū Studio integration. A 40″ touch-tablet (with AI voice) lets small teams load plates, adjust looks, and iterate quickly. Motorized, pre-rigged lighting comes dialed in and syncs to the wall for fast tweaks, so you can speed up your shoot unlike other studios.

  • 25' x 13' LED wall
  • 2.6mm pixel pitch panels

See Studio Services
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Full tech specs for our virtual production equipment

Skip the guesswork. This producer-built guide turns tech into decisions: Unreal vs 2D use cases, pixel-pitch to camera-distance tables, lighting-grid notes, and shot-day checklists. See asset handoff windows, a simple pre-vis timeline, and a cost/benefit snapshot, so you can scope, sell the plan, and roll camera with confidence. Get more details here.

Can you pull it off in virtual production?
Studio A
Studio B

Closer camera distance

More coverage
without restaging

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Max Flexibility

Windows-up car shots. Live reflections. Track along the tail.

stype Red Spy system mounted to RED camera

Stype RedSpy

Advanced optics for precision tracking.

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40" Vū Studio console driving an LED wall display
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25’ x 13’

repeatable looks, fast resets.

Forge virtual Studios LED lighting grid in Studio B
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Virtual production tech FAQs

Answers to common questions about our LED volume stage and virtual production equipment: pixel pitch and camera distance, lighting grids, filming on LED screens, and how our virtual production software fits real shoot workflows.

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Can we stage larger, set-piece scenes (ensembles, vehicles, “boat-scale” builds)?

Yes. Studio A’s 82' × 16' J-shaped LED wall with an edge-to-edge LED ceiling and a movable wild wall is built for scale. The curve plus a longer flat “tail” supports wide establishing shots and tracking moves, while the 1.9mm pixel pitch lets you push cameras closer for mediums and tights without restaging. In practice: block the big scene, then work in for coverage: same setup, continuous immersion.

What does 1.9mm pixel pitch change for my shoot?

On Studio A, 1.9mm lets you move cameras closer (~2.5–6 m optimal) before moiré or “screen door” shows. Practically, you can stage wide and still punch in without restaging. It also holds up better with high-res cameras and tight lenses, great for product detail and windows-up automotive shots thanks to the ceiling + wild wall reflections.

What if we don’t have a virtual-production technical lead? Can Forge handle that?

Yes. Any project can be run by our team if needed so you don’t need an on-staff VP supervisor. We’ll guide pre-vis, asset handoff, and on-set operation, you just tell us the vision. In Studio B, producers can drive virtual production software on the touch tablet (voice mode optional), with our crew on standby. Check out our Producer’s Blueprint for timelines, roles, and tech checklists.

What types of shoots and industries are the best fit for virtual production?

Virtual production shines when you need control, speed, or scale without location headaches. Common wins:

  • Automotive: Windows-up interiors, glossy hero reflections (ceiling + wild wall), quick day/night swaps.

  • Branded content & interviews: Fast look changes, multiple “locations” in a day (Studio B + Vu tablet).

  • Product beauty/macro: Tight shots with clean backgrounds; 1.9mm pitch helps minimize moiré.

  • Outdoor/travel lifestyle: Consistent weather and light, rapid scene changes without permits.

  • Ensemble or set-piece scenes: Stage wide establishes, then punch in for coverage without restaging (Studio A curve + ceiling, tracking).

Rule of thumb: choose Unreal (Studio A) for depth, parallax, complex moves, or reflection-sensitive work; choose 2D plates (Studio B) for speed, repeatability, and high volume days.

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Ready to plan your shoot?

If the specs check out, let’s map your day. Book a tour to see the LED volume up close, or grab the Producer’s Blueprint for deeper tech specs, timelines, and checklists to scope fast and sell the plan.

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